This weekend I finally watched Alien: Romulus (2024) given I thought it might give me something to talk about for Tech Noir, I was right. I enjoyed the return to the original Alien (1979), which in many ways is one of the pillars of the tech noir genre with its focus on greedy hi-tech companies; sleeper agent androids designed to do the powerful’s bidding; and a dark and claustrophobic atmosphere—oh yeah, there are also the aliens that the corporation secretly direct the android to return to earth for seemingly dubious purposes. But more than anything for me from the original Alien is the beautiful visualization of the technology of the future, like the captain Dallas seemingly immersed within the MU/TH/UR 6000 computer.
