Author Archives: Sam's Club

Weekly Summary 4

This week is focused on exploring audio storytelling and engaging in sound editing. I began by installing Audacity and trying out its features. Initially, it seemed a bit daunting so many buttons, numerous effects but after some practice and mistakes, I learned how to use it efficiently. Increasing and decreasing sounds, trimming and layering of music pieces, also using different effects became simple with more practice. Editing sound needs time but when I found the rhythm, it turned to be enjoyable indeed. Establishing my account on SoundCloud was a critical move; it simplified sharing my creations without consuming server storage space.

More than just acquiring the technical knowledge, I devoted time pondering how sound influences a story. Viewing Jad Abumradā€™s videos made me understand how radio fosters closeness and connection; this became apparent when I listened to “Moon Graffiti.” The manner in which audio effects generated tension and environment was astonishing. This greatly aided my process of creating a bumper for ds106 radio – my prime emphasis was on making something brief yet powerful. I also put effort in doing a sound effect story, narrating an entire scene using only overlaying audio. This was entertainingly challenging. As the finishing step, I created some concepts for the upcoming Tech-Noir radio project and thought about how my course character Jack Cross can blend within varied storylines. All things considered, this week made me think over sounds and their value in narration, and I’m thrilled to continue improving these skills.

DS106 Radio Listen

At first, I wasnā€™t quite sure what I was listening to. The podcast opened with strange sounds and cryptic dialogue that left me unsure of the direction. The atmosphere was eerie, and it felt like I had stumbled into a mystery I didnā€™t fully understand. The unsettling background noises and pauses made me question whether I should keep listening, but there was something about the tone that kept me curious.

What really captured my attention, though, was when a man said, “Everyoneā€™s gone.” In that moment, everything clicked. The weight of those words, combined with the eerie silence that followed, drew me in completely. Suddenly, the mystery of the vanished people felt real, and the tension started to build. The layers of suspense, combined with the haunting sounds, made me feel like I had to know what happened.

By the end, I was hooked. The story had pulled me in with its twists and clues, and I was left wondering what secrets it would uncover next. The experience of listening live, sharing reactions and theories with others, made the mystery even more engaging. What started as a puzzling experience turned into a gripping journey, and Iā€™m already looking forward to the next episode.

Radio Bumper

For my DS106 class, I had to make a radio bumper, and it turned out to be a really fun experience.

I started by searching for the right background sound something with a tech-noir feel. After looking around, I found one that fit perfectly. It had the right vibe, and I knew it would work well behind my voice.

Then, I recorded my line: ā€œYou are listening to DS106 Radio.ā€ Simple and straight to the point. I made sure to get a clean take, speaking clearly and at the right volume.

Once I had that, I brought everything into Audacity. I placed my voice over the background music and adjusted the volume so my voice stood out without overpowering the track. No fancy effectsā€”just a straightforward mix to make sure it sounded balanced.

After a few small tweaks, I exported it as an MP3, and that was itā€”I had my radio bumper!

Overall, this was a great assignment. It was easy to follow but still gave me a chance to try something new. I learned how to mix audio, and now I feel way more comfortable using Audacity. Definitely a skill Iā€™ll use again!

Brainstorm Radio Show Ideas

  1. “Neon Getaway” ā€“ A High-Tech Escape Thriller

Jack Cross, he is a no ask questions kind of guy and just drives. In the city where all roads are being watched and companies own everything, to be unseen is nearly impossible now. But then one normal day at work turns upside down and ends up with a person in his car who has something that big corporation are ready to kill for. Jack gets caught between police that take bribes, cyber enforcers and hackers from below ground level. The only escape? The best thing he knows drive very fast and never turn around.

A turbocharged, heart-racing thrill-ride for the auditory senses, echoing with the roar of engines and pounding rain on city streets.

  1. “Blackout Frequency” ā€“ A Cyber-Noir Mystery

It begins with an unusual communication interrupting Jack’s radio someone requesting assistance. What is the issue? The caller’s voice is that of a hacker who was allegedly dead for several weeks now. Jack is not a person who does detective work, but when individuals begin to vanish and drones start trailing him, he comprehends that his involvement has escalated too much for him to simply retreat. Somebody desires this kept under wraps, and Jack must determine if he continues evading or confronts the phantoms of this city straight on.

  1. “The Last Exit” ā€“ A Dark, Thought-Provoking Tech-Noir Story

Jack is not one to form bonds. He picks up people, and delivers them to their destinations and then continues his journey. However, the traveler on this night isn’t a human it’s an artificial intelligence, urgently trying to flee before its inventors permanently disable it. It insists that it is living. Jack does not have faith in these things, but as they go further within the vibrant city, something concerning this work seems changed. Perhaps staying alive isn’t only about avoiding detection. Maybe, for once, itā€™s about doing the right thing.

All the Relaxation

For this assignment, we were tasked with creating a relaxing, loop-able sound. I chose a simple yet universally soothing sound rain something I personally use to unwind. Using FreeSound, I found a rain recording that matched the calming vibe I was aiming for. Then, in Audacity, I adjusted the volume and fine tuned the audio to achieve the perfect balance. Once I was satisfied with the final result, I uploaded it to SoundCloud, pairing it with a tranquil image of a raindrop to visually enhance the experience. Overall, I found this assignment both enjoyable and surprisingly easy to complete.

Breaking News!

For this assignment we had to do something interesting and make an entirely fictional breaking news story with help of AI. It was a more bizarre assignment that usual so I thought it would be fun to do. The goal was to invent a plot which appears realistically enough but also is strange in a humorous manner. After some contemplation, I stumbled upon this treasure: a neighborhood cat becoming the mayor of a tiny town and announcing war against dogs. It was such an unusual idea that I realized it would be incredibly funny.

Creating the script was very enjoyable. I needed to maintain a professional tone so it appears like an actual news report, yet simultaneously make certain that the narrative is evidently silly. My aim was for listeners to question, ā€œIs this genuine?ā€ but also promptly understand how preposterous it truly is. After arranging the script, the enjoyable part started–changing it to a real news broadcast with AI.

I employed Colossyan.com for an AI news anchor to recite my script, and the experience of hearing the story animate was incredible. It felt unreal listening to a machine-created voice narrate such a funny tale in a serious manner. Although there wasn’t any tune that made it more refined, this indeed gave it a realistic touch which made it all the more humorous. The entire process was really enjoyable. In the end, I created a funny and somewhat believable news story that I was eager to share!

Audio Reflection

Hearing this podcast gave me a feeling as if I am walking on Moon myself, together with Neil Armstrong and Buzz Aldrin. The narrative was so involving that it felt like a film unfolding in my mind. But, this wasn’t the victorious Moon landing we’re familiar with it depicted frightening ā€œwhat could have beenā€ situation that nearly took place. The acting of Matt Evans, Ed Herbstman, and John Ottavino along with the writing and production by Jonathan Mitchell gave an uncanny real feel to everything.

What left a deep impression on me was hearing the speech prepared for Richard Nixon, meant to be used if Apollo 11 mission had resulted in failure. It was unsettling to listen to those words being spoken, with the knowledge that they might have been imprinted in history. This made me reflect upon how perilous space exploration truly is and continues to remain so today. The difference between success and tragedy was very thin.

The thing which made this story feel more impactful was the strength of audio storytelling. In absence of any visuals, I found myself creating the scenes in my own head, and somehow it became even more intense that original one then started off . The sounds from radio transmissions hinting on cracking noise, changes in voice tone, an a quiet space with strange feeling it all drew me much closer than before. The absence of pictures was not a restriction; it was the element that made it so captivating.

This podcast made me remember the uniqueness of storytelling through sound. It doesn’t just narrate a tale it causes you to experience it. You are compelled to interact, visualize and enter the moment at hand. In a narrative such as this, where history might have turned disastrous, that experience continues to linger with you even after the story concludes.